Handsy

Two hands occupy the frame, each holding a red pencil as color bands press and fold around them. The hands are not isolated from the field; they are embedded within it, shaping and being shaped by the surrounding layers. Lines accumulate through contact and pressure rather than outline. Color behaves as a continuous surface—bending, compressing, and redirecting as marks pass through it. The drawing records control as a physical act, grounded in touch, friction, and repetition.