
1989
Irregular fields of color press closely against one another, forming a compact surface with little open ground. Greens, pinks, ochres, and pale neutrals are separated by dark seams that function as boundaries rather than background. The composition is organized through adjacency and compression, with each color mass holding its position through contact with the next. Depth is shallow, and movement is restrained, producing a surface that reads as dense, contiguous, and contained.